(ThyBlackMan.com) The new film, “The Help,” starring Emma Stone, Viola Davis and Octavia Spencer has gotten a bit of buzz recently. The film is based on a novel by Kathryn Stockett about two black maids working in white households in Jackson, Mississippi during the late 1960s. I was curious about the film, since my first impression is that it is a female version of “Driving Miss Daisy.” I can’t say, however, that I am curious enough to want to watch it – for I’ve seen films like this one before.
My obvious bias against the film has nothing to do with the quality of the script or the enormous talent of the actresses in the film. Rather, it has to do with the fact that I grow sick and weary of seeing yet another Hollywood production that is so quick to grab onto a racial stereotype. Most of these films have the brave white protagonist, who has the courage to (gasp!) treat us like we’re actually human beings. Films such as “A Time to Kill” and “Amistad” are perfect cases in point: In the midst of telling a very painful story about the black experience, the film makers always take the time to ensure that the white guy is the hero. So, even when we’ve been self-sufficient, it’s only because a white person has allowed us to do so – even benevolent white supremacy is still white supremacy, nonetheless.
This leads us to the controversial question of the day: How should African Americans feel about seeing ourselves portrayed in roles that are subservient to whites or fulfilling some other stereotype? The great Hattie McDaniel, who played “Mammy” in “Gone with the Wind,” once made said “I’d rather make $700 a week playing a maid than earn $7 a day being a maid.”
McDaniel’s point is well-taken. It’s very difficult to get work in Hollywood for anyone, especially African Americans. Additionally, the story of the pimp, the athlete, the maid or the shoe-shine man is just as relevant as the stories that were once told on the Cosby Show. Not only are we sugar-coating our reality by demanding that all roles fit a counter-stereotype, we are engaging in the same elitism that cripples our society at large.
While we must allow for all stories to be told, this does not excuse us from the responsibility of confronting Hollywood for the fact that they are far quicker to allow us to play stereotypical roles than to express the breadth of our existence. One can’t fault Viola Davis one bit for taking on this role, but I can bet my last dollar that the same executives who chose Viola to be a maid would not be so interested in casting her as an Astronaut or Physician.
A one-dimensional approach African American portrayals simply represents the same tired garbage that we’ve been watching for the past century. I won’t go see “The Help,” because I have no interest in giving Hollywood a financial incentive to create a sequel to scripts that confine black men and women to being nothing more than trusty sidekicks to their overseers.
But the most important thing to remember is that the first step toward controlling our destiny on-screen is to control our destiny off of it. That means that the financing and ownership of black cinema is an important step in our cultural evolution. But even then, the degradation of the black image on screen may occur at the hands of a black film maker (as Sheila and Bob Johnson once showed us with their ownership of BET). That’s the flaw of thinking like Hattie McDaniel: there is nothing wrong with passing up economic opportunity if you are doing so to protect your integrity: We must always pursue a double bottom line and there are things in life that are far more important than money.
Staff Writer; Dr. Boyce Watkins
Dr. Boyce Watkins is the founder of the Your Black World Coalition. For more information, please visit http://BoyceWatkins.com.
this is a classic rebel film
only those who have not seen it can ever bash it so
shame!
http://aliciabanks.xanga.com/757685411/a-rebel-tale-about-domestic-revolutionaries-help-yourself-to-%E2%80%9Cthe-help%E2%80%9D/
Ok, First let me start off by saying this. How Arrogant of a person to write a whole article about something they haven’t even seen. I mean.. everyone has an opinion, everyone also has a butt hole too! I am a bit annoyed by this article, because I think WE have forgotten that less than 50-60 years ago, this was a lot of our existence. My grandmother on both sides of my family were maids. How soon we forget where we came. I think its easier for US to forget & actually think we are indeed equal, than to remember that They will ALWAYS see our race 1st, & our talents 2nd. I can go on & on, but I will just say this..I am ANNOYED BY THIS ARTICLE!
The author states that the movie would be like this “In the midst of telling a very painful story about the black experience, the film makers always take the time to ensure that the white guy is the hero. So, even when we’ve been self-sufficient, it’s only because a white person has allowed us to do so – even benevolent white supremacy is still white supremacy, nonetheless.” If you actually see the movie without making assumptions, you’d see that it actually wasn’t as such. People, stop making assumptions, see the movie then make an opinion.
I really don’t get what the big deal is about? Viola Davis playing the part of a maid….hmmm… As an actor you have to portray certain types of characters. Situations like the ones in this movie did actually occur. Who better to play the part than Viola Davis. She also played the Mayor of Pittsburgh in Law Abiding Citizn and that was a Hollywood hit! It seems that in our community we are too quick to tear each other down rather than buld each other up. Well, I’m going to support this movie because of the storyline and the incredible talent (both white&black) that star in it.
One.
On Twitter a few minutes ago someone Tweeted that today–in 1965–blacks were granted a full right to vote. Amazing! It is easy to forget how recently things were SO wrong and how far we have come. When I was growing up the films starring black actors often showed them in jobs like garbage collector, maid and…at the car wash. James Earl Jones and of course Sidney Poitier (as a teacher) helped changed the world.
Right on, Austin! First, Watkins did not do his homework. (And, this is not the first time.) Not only did he not read the book, but also he didn’t conduct a simple google search of Viola Davis’s filmography! My goodness, anyone who knows Viola Davis’s work knows that she is committed to and CAN bring dignity and humanity to any character role she assigned. Does anyone remember Antwoine Fisher?? Also, she played the mayor of Philadelphia in Jamie Foxx’s Law-Abiding Citizen.
Second, while Hollywood can and should be thoroughly critiqued and criticized for the lack of fully-developed African-American roles that it offers, nothing in the (full) movie trailer for ‘The Help’ would even remotely suggest that Viola Davis’s or Octavia Spencer’s characters would be one-dimensional. I just don’t get it.
And, people please don’t forget that until 1960s, the majority of black women in the United States were domestic laborers. And, that is nothing to be ashamed of. There is dignity in all work. Jim Crow and racism severely and savagely circumscribed the lives of black folks, limiting them primarily to agricultural and domestic labor and initially excluding them from the benefits of Social Security, by the way. That is a historical fact. Nonetheless, those women who labored in that field and suffered all kinds of indignities and abuses gave rise to the black professional classes, donating their “maid” money to send their children to college, build churches, start scholarship funds, etc. Perhaps, we should all revisit Langston Hughes’s “A Song to a Negro Wash-Woman,” to remember a time when we were not ashamed of the black women domestic workers in our communities.
That is…amen to Austin’s comment below.
Amen!
“One can’t fault Viola Davis one bit for taking on this role, but I can bet my last dollar that the same executives who chose Viola to be a maid would not be so interested in casting her as an Astronaut or Physician.”
Evidently, one CAN fault actors for taking roles, as you’ve just done, and then casually impart (baseless) financial motivations. Your argument would be more compelling without foreknowledge that Hollywood executives have already seen fit to cast Mrs Davis as a psychiatrist, CIA director, top scientist, and (gasp!) even an astronaut (Solaris 2002). Perhaps instead of wagering that last dollar, you should put it towards a paperback copy of “The Help”? You might even find that its staggering success (5 million+ copies sold) is partly due to the fact that the characters portrayed are neither “stereotypical” nor “one-dimensional” as you seem to presume.
Would you be more inclined to see this movie if the theater showing it was owned by African Americans? Sure you would, you say as much; because “financing and ownership of black cinema is an important step in [your] cultural evolution,” right?
What if the author of the source material was, herself, African American? Would you be more inclined to see it then? And, if so, wouldn’t you be guilty of engaging in the same elitism that cripples our society at large?
These stereotypes have evolved within dating back to the colonial years of settlement particularly after slavery became a racial institution that was heritable. Turner note stereotyping objects in popular culture that depict blacks as servile primitive or simpleminded and explains how the subtle influences of such seemingly harmless images reinforce antiblack attitudes. As with every other identifiable group stereotypes continue today. In early American history the primary reason that Africans were in the colonies was as enslaved laborers transported by the ..