(ThyBlackMan.com) Last year, filmmaker Antoine Fuqua made statements shutting down anyone who somehow believed that Hollywood might be racist. These remarks may have been made and forgotten by those wo are hellbent on comfortable assimiliation, but I found myself disturbed by what I was hearing.
According to Fuqua, the racism in Hollywood is hardly an impediment to one’s ability to receive opportunities: “I wouldn’t use the term racist, as much as I would say the playing field is not even in Hollywood,” he said. “But ultimately, you have to put in the work. “It’s very easy to cry racism when you’re not qualified to do the work or your work isn’t transcending to where you want it to be. Hollywood is a business and you have to look at it that way.”
In my goal to interpret Antoine’s words in the most positive light, I believe he’s saying that, in order to be successful, one must work as hard as they can, understand the business model of the industry they are in, and ensure that their work fits the needs of existing gatekeepers and the marketplace.
What Antoine may also want to consider, however, is that there are thousands of black actors, actresses and filmmakers who work extremely hard. In fact, I dare say they work harder than whites in Hollywood, since they know that they have to be twice as good. However, the opportunities tend to go to white performers, not black ones. Additionally, the structure of the business model and perception of marketplace needs are driven by a white supremacist model in which the opinion of white guys in Hollywood overrides those of the black community.
In other words, white people get to decide what the marketplace wants, how the business model is going to be structured and who gets those opportunities first. This is why men like Tyler Perry had to wait for years to get a chance to prove himself, and TD Jakes has complained that Hollywood ignores the massive black church audience. White supremacy is built and maintained in part because it is a manifestation of the desires and perceptions of those people running the show. White people run Hollywood, so the creative and productive landscape becomes a creation in their own image.
These racially-biased outcomes typically have little to do with deliberate discrimination, but instead, are a function of hundreds of years of white people stealing free black labor to build things that make their children and grandchildren rich. So, you can have white supremacy even when there isn’t a single racist in the building. Most of the hard work was done by hundreds of years of shaping our society without much African American input. Years later, when we are granted our freedom with no reparations for that which was taken from us, we are expected to be able to compete in a world where access to capital is everything, and all of the capital once held by our ancestors lies in the hands of white Americans. That’s like entering a cooking contest with no cookbook and no access to ingredients or cooking utensils.
With that being said, I did an interview with a brother who had a lot to say about the racism that exists in Hollywood and the music industry. Leonard Rowe has been a concert promoter for many years, and has a great deal to say about Hollywood discrimination. Leonard says that black concert promoters are often shut out of the opportunity to promote leading black acts in Hollywood. He also says that part of the reason that Arsenio Hall was off the air for 20 years is driven in large part by Arsenio Hall’s defiance and desire to speak on issues that relate to race.
More specifically, Rowe says that it was Arsenio’s desire to interview Louis Farrakhan that led to his demise the first time. This might seem to suggest that men like Antoine Fuqua are going to be given opportunities because they are more willing to tell the lie of white supremacy. But we are on the outside of that fence and don’t have to lie in order to feed our children. It might OK for us to start telling the truth.
Listen to the interview below, it says a great deal about what’s happening in both concert promotion as well as opportunities in Hollywood.
[youtube I0BupzvON3E]
Staff Writer; Dr. Boyce Watkins
Dr. Boyce Watkins is the founder of the Your Black World Coalition. For more information, please visit http://BoyceWatkins.com.
HOLLYWOOD: ONE THE MOST RACIST INDUSTRIES LEFT IN AMERICA
Have you ever wondered where the term “Black List” or “Black Balled” came from?
These terms were actually created at a time when “Jim Crow in America” was an everyday occurrence and Black people were discriminated against and treated with bias socially and legally throughout all America.
The terms came from the white power brokers who ran the film and entertainment industries in America at its inception. The terms are an actual threat hanging over the heads of all people, regardless of race. To performers, producers, writers and composers, a threat, that if you “make us white power brokers who are in charge of this industry angry, we will treat you like we have traditionally treated Black People in America”. You will no longer be able to get jobs or any kind of career opportunities to do anything in our industries.”
We will discriminate against you with extreme bias.
This is the environment that spawned the film industry in particular. It was an industry that was not fond of Black people in anyway. It took years for Black people to even be permitted to play themselves in Hollywood movies. White actors usually did that back in those days. They would put on “Black Face” and perform by often becoming the most demeaning and grotesque characters of Black people anyone could possibly imagine. They wanted to show the Black people their face in America. They wanted the nation, and the world to see Black people in the terrible stereotypical characterizations that they created and filmed and put on display on screens nationwide. When Black performers were finally allowed to play Black people, they very seldom allowed for a Black actor to play any character of substance. Those roles were always demeaning as well, to both the actors and the Black American Culture. There were few Black filmmakers who were in control of writing and filming stories with Black people in them. The few that there were, such as “Oscar Micheaux”, were basically put out of business when the film industry consolidated its efforts and successfully conspired to put these few independent filmmakers out of the mix.
I myself have been a victim of the so-called Black List in America. You might say that I am one of long list of pioneers. A Black man that stood up to these so-called power brokers at a time when it was considered very unwise to do so. My decision however was a decision on conscious and although I have been left on the outside of an industry that I wish was different enough for me to be a part of today, alas, it is not, If I had it all to do over again, I would. I can tell you about being Black Listed because that is what they tried to do to me. It only made me stronger, prouder and more determined to overcome the racism of Hollywood and start a new day for entertainment in America.
My dealings with the so-called Black List in the film and television industries started after I was injured during a fire mission while serving in the military in Vietnam. After I returned from Vietnam to Oakland Naval Hospital, I was released from the military late in 1972. I decided that I wanted to become an actor, producer, playwright, screenwriter and performer. I was so excited and very talented. It wasn’t long before my skills landed me a big time Hollywood Agent, Arnie Gerritson, from Gerritson International Agency. Soon after that I was a featured player in a commercial that won the prestigious “Golden Lion Award” at the Cannes Film Festival in France, and I was getting role after role in theatrical productions at theaters in Los Angeles.
I decided that I would write a series for television, at the time I loved television as a medium in the arts and felt it was wide open to talented people with good ideas. So I sat down and penned the pilot for a series that I called “Catfish and Skillet”. I thought it was good so I took it to my agent, Arnold Gerritsen, whom was affectionately called “Arnie”, and asked him to read it and to let me know what he thought. Arnie read it and got back to me after a few weeks he was excited. He wanted to represent the script and send it to major studios such as CBS, ABC, and NBC for consideration. I agreed and Arnie started submitting the project. After a few months he notified me that all of the major networks had decided to pass on the project. So it was back to the drawing board for me.
Months later I was watching television and began to see advertising for a new show coming in the fall. “It was entitled “TENSPEED and BROWNSHOE” and it seemed to embody my characters and entire story premise, to a tee”
When the show finally aired it was unmistakeably my concept and idea being broadcast on nationwide television. I went to my agent Arnold Gerritsen and complained. Arnie acknowledged that it looked an awful lot like my show “CATFISH and SKILLET”. He told me that he felt bad about what had happened. Arnie asked me to give him a few days to talk to the producer and the network, which was ABC about what had happened. Soon he called me in and told me the following. “Glenn you don’t want to mess with these people they can and will ruin your career they can cause big time trouble for my agency as well. I talked to some people up there and they are willing to give you a little bit of money, on the quiet side, to make this all go away.”
Later I spoke to a well known director, mentor and friend and told him about my situation and delima. He was much older than me and hadbeen in the Hollywood scene for many years. He explained to me how the television industry had been stealing show ideas from Black writers for years and giving them little to nothing for them, or paying them a little hush money under the table and how all of this was done under the threat of the so-called “Black List”. Ironically he said to me. You are already on the “Black List” by virtue of the fact that you are Black. That is when I learned about the history of the Black list and how it came to be.
It was at that point that I decided to go public and sue both the network and the producer for stealing my work. You can learn more about the troubles I faced thereafter and how I coped with and overcame them in my upcoming autobiographical book,
“A LIFE LIVED YEARNING” scheduled for release late 2015.
The Hollywood film industry has been and continues to be to this day, one of the most racist institutions operating in America.
If I could I would start a new industry free of these and other injustices so that all people can freely participate in a film and entertainment industry poised to grow free and independent from nepitism, racism, cronyism and fear.
HOLLYWOOD: ONE THE MOST RACIST INDUSTRIES LEFT IN AMERICA
Have you ever wondered where the term “Black List” or “Black Balled” came from?
These terms were actually created at a time when “Jim Crow in America” was an everyday accepted occurrence and Black people were discriminated against and treated with bias socially and legally throughout all America.
The terms came from the White power brokers who ran the film and entertainment industries in America at its inception. The terms are an actual threat hanging over the heads of all people, regardless of race. To performers, producers, writers and composers, a threat, that if you “Make us White power brokers who are in charge of this industry angry, we will treat you like we have “traditionally treated Black People in America”. You will no longer be able to get jobs or any kind of career opportunities to do anything in our industries.” We will discriminate against you with extreme bias.
This is the environment that spawned the film industry in particular. It was an industry that was not fond of Black people in anyway. It took years for Black people to even be permitted to play themselves in Hollywood movies. White actors usually did that back in those days. They would put on “Black Face” and perform by often becoming the most demeaning and grotesque characters of Black people anyone could possibly imagine. They wanted to show the Black people their face in America. They wanted the nation, and the world to see Black people in the terrible stereotypical characterizations that they created and filmed and put on display on screens nationwide. When Black performers were finally allowed to play Black people, they very seldom allowed for a Black actor to play any character of substance. Those roles were always demeaning as well, to both the actors and the Black American Culture. There were few Black filmmakers who were in control of writing and filming stories with Black people in them. The few that there were such as “Oscar Micheaux”, were basically put out of business when the film industry consolidated its efforts and successfully conspired to put these few independent filmmakers out of business.
I myself have been a victim of the so-called Black List in America. You might say that I am a pioneer. A Black man that stood up to these so-called power brokers at a time when it was considered very unwise to do so. My decision however was a decision on conscious and although I have been left on the outside of an industry that I wish was different enough for me to be a part of today, alas, it is not. If I had it all to do over again, I would. I can tell you about being Black Listed because that is what they tried to do to me. It only made me stronger, prouder and more determined to overcome the racism of Hollywood and start a new day for Black entertainment in America.
The Hollywood film industry has been and continues to be to this day, one of the last strongholds for racism industry left standing in America.
@ Dorothy
We can bring him back by creating our own network, that’s serious about working with the best talent and not following behind others. It will take a lot of money. Networks aren’t cheap. But have no fear, 2014 will be our year, the beginning of a new and positive era for our people. Look for the news.
Black Unity means financial independence and happiness
Arsenio did the same thing Don Cornelius and Flip Wilson did: Made sure people of color and other minorities got on the air. Recalled George Lopez had the same thing happened to him. We can promote negativity and people are cool with that. We can promote positivity and people have a problem with that. For the people who said Arsenio was too black, he had people from all cultures on the show. 75% of his guests had never been on a talk show, and actually some of those guests were white. You won’t see spoken word on either Jimmy or Dave. Unless you’re mainstream black, you won’t be on those shows. He will be back! The CBS dudes who blackballed him, might be out of a gig come next year or sooner before that. I want to see others come back after two decades and still be relevant. Reruns are a reminder that we already miss Arsenio. Your work this season will be rewarded! Yes indeed! And, we’ll see him in 23 hours again one day!
what can we do to get Arsenio Hall show back on T.V ?
I saw the episode when Jay Leno presented Arsenio with the news of Arsenio’s show being picked up for a second season. Then not even a month later, the show has been cancelled. I’m thinking what the hell! Arsenio’s not even talking about it.
Antoine Fuqua is right. Hollywood isn’t as racist as ppl make it out to be. I don’t care what anyone says because if Hollywood was so damn racist then why are the majority of black entertainers hiring non-black agents, directors, producers, etc. And if they aren’t hiring them, blacks are requesting them. So why are blacks hiring/working with racist ppl.
Terrance Amen says it all the time on this website ALL THE TIME. Black people need to own their own studios and what have you in order to be in charge of “our” image. Who’s fault is it that blacks in Hollywood wanna remain in Hollywood? I don’t even know why blacks complain so damn much. Getting paid, owning/living in a beautiful home(s), being able to afford eveything you need and want, doing whatever you wanna do doesn’t sound like rich, wealthy blacks should have much to complain about. I guess some blacks aint never satisfied or they have no idea what satisfaction is.
It’s a damn shame that blacks feel as though the entertainment business is so racist when it’s where they desire to be. It’s all about the money.
Even if blacks builtowned studios, I doubt if we’d generate enough income to barely put food on the table. Blacks are used to the megabucks paid by the white man. Those so-called white supremicists are writing checks for the right amount and blacks are are cashing them checks filling up their bank accounts. So why complain?
And I doubt if Farrakhan had anything to do with Arsenio going off the air.
Actually, I thought they cancelled Arsenio Hall because he had Louis Farrakhan on.
I noticed Arsenio got cancelled after having the anointed man of God
“TD Jakes” on the show.
Alot of us in the African American community are very hurt, because it’s obviously white supremacy goin on. What’s funny is they continue to show reruns, so Arsenio obviously aint that bad, somebody gettin paid from his show.. He won’t sellout, is what it is…
I have prayed for our brotha, & I believe God has a plan, & Arsenio will endup better off in the long run..
God don’t like ugliness, white supremacy may rule hollywood, but we all have to answer to God sooner or later, it is he who has the last word……..
I understand Mr. Rowe’s pain because I have worked for the top agents in Hollywood and we African Americans are “directed” (we have a choice) to their pool of brotherly associations — lawyers, accountants, and business managers.
And also the high level Af Amer. agents in the biz love their cushy jobs and they are not going to rock the boat.
Celine Dion’s agent is Rob Prinz. I would set a lunch with him and ask for the job. We do have to do the lunch thing and nurture these relationships and let them know we are here too.
I started with Dick Griffey Prods. and I have so much respect for him and how he tried to educate Af Ams. But we are against ourselves in a lot of situations. With all of my 25+ years of experience, I have never recvd. a call from any of my Af Am bros. and sisters for a job — and they know me. I’m a bad and intelligent sister (smile). Holla!
This is why it’s so important to start creating our own opportunities, instead of waiting for someone else to give them to us. We may never get the chance to do anything if we continue to wait for someone to give us the opportunity.
We’ve probably lost many geniuses from alcoholism and addiction because of us having to wait for the opportunity, instead of creating one.
Oscar Micheaux made films in the 20’s and 30’s. What is our problem now? The honorable Marcus Garvey created an organization of more than a million members around the world, with businesses across the country, ships that could cross the sea.
I ask again, what is our problem now? With the civil rights battle, we won the opportunity to enter into the mainstream, but we paid a heavy price in giving up our economic base, that we’re still paying for today. But have no fear, for 2014 will be our year to change all that, and then some.
Black Unity means financial independence and happiness