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	Comments on: Rap Stars are not BOSSES!!	</title>
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		<title>
		By: Deeann D. Mathews		</title>
		<link>https://thyblackman.com/2011/07/21/rick-ross-lil-wayne-are-not-bosses/comment-page-1/#comment-46946</link>

		<dc:creator><![CDATA[Deeann D. Mathews]]></dc:creator>
		<pubDate>Thu, 25 Apr 2013 07:11:21 +0000</pubDate>
		<guid isPermaLink="false">http://thyblackman.com/?p=11509#comment-46946</guid>

					<description><![CDATA[&quot;Highly paid employee&quot; is a kind description of what happens to many who enter the music industry unprepared -- it is more akin to sharecropping, which I describe in the fifth chapter of my book, The Freedom Guide for Music Creators.  Under the system of sharecropping, which followed slavery for our people for another 100 years in the South, Black people went back to work for their former masters (after Jim Crow laws had closed off many other jobs) under terms by which they would contribute their labor in return for being loaned a place to stay, seed, equipment, and scrip to use at the general store.  The idea was that Black sharecroppers would repay their debts out of the crops and have the rest for themselves and their families.  But the sharecroppers were not allowed to read (even when they could read) their contracts, which permitted the white landowners in many cases to make up terms such that the debt could NEVER be repaid from the crops.  Or, sometimes, since the sharecroppers could not audit the landowners&#039; books, the landowners simply told the sharecroppers whatever they wanted.  &quot;Don&#039;t worry; you can pay me out of next year&#039;s crop.&quot;  That went on for 100 years. 

Without an understanding of the audit clause, and of the basic contracts (and 360 deals), musicians keep on lining up to get locked into contracts where the big money is just an advance on future royalties, a loan structured such that it can never be paid back, and that rolls into future contracts for the length of the term.  And rarely does a musician have the ability or the right to get into company books and find out what is going on.  At least an employee gets a paycheck to take away; musicians in the industry are basically rolled back into sharecropping if they are not forearmed with basic music business knowledge.

The Freedom Guide for Music Creators is my offering of the basic music business knowledge -- nine chapters, under ninety pages.  It is available on Amazon, but I prefer that people buy it from Marcus Book Stores, the oldest African American bookstores in the country.  My name links to the Marcus page.  I have no desire to see even one more Black person sharecropped in the industry; enough is enough, provided that musicians, or those who love them, takes the necessary steps to get the knowledge they need!]]></description>
			<content:encoded><![CDATA[<p>&#8220;Highly paid employee&#8221; is a kind description of what happens to many who enter the music industry unprepared &#8212; it is more akin to sharecropping, which I describe in the fifth chapter of my book, The Freedom Guide for Music Creators.  Under the system of sharecropping, which followed slavery for our people for another 100 years in the South, Black people went back to work for their former masters (after Jim Crow laws had closed off many other jobs) under terms by which they would contribute their labor in return for being loaned a place to stay, seed, equipment, and scrip to use at the general store.  The idea was that Black sharecroppers would repay their debts out of the crops and have the rest for themselves and their families.  But the sharecroppers were not allowed to read (even when they could read) their contracts, which permitted the white landowners in many cases to make up terms such that the debt could NEVER be repaid from the crops.  Or, sometimes, since the sharecroppers could not audit the landowners&#8217; books, the landowners simply told the sharecroppers whatever they wanted.  &#8220;Don&#8217;t worry; you can pay me out of next year&#8217;s crop.&#8221;  That went on for 100 years. </p>
<p>Without an understanding of the audit clause, and of the basic contracts (and 360 deals), musicians keep on lining up to get locked into contracts where the big money is just an advance on future royalties, a loan structured such that it can never be paid back, and that rolls into future contracts for the length of the term.  And rarely does a musician have the ability or the right to get into company books and find out what is going on.  At least an employee gets a paycheck to take away; musicians in the industry are basically rolled back into sharecropping if they are not forearmed with basic music business knowledge.</p>
<p>The Freedom Guide for Music Creators is my offering of the basic music business knowledge &#8212; nine chapters, under ninety pages.  It is available on Amazon, but I prefer that people buy it from Marcus Book Stores, the oldest African American bookstores in the country.  My name links to the Marcus page.  I have no desire to see even one more Black person sharecropped in the industry; enough is enough, provided that musicians, or those who love them, takes the necessary steps to get the knowledge they need!</p>
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		<item>
		<title>
		By: Patsy		</title>
		<link>https://thyblackman.com/2011/07/21/rick-ross-lil-wayne-are-not-bosses/comment-page-1/#comment-6644</link>

		<dc:creator><![CDATA[Patsy]]></dc:creator>
		<pubDate>Fri, 22 Jul 2011 04:32:10 +0000</pubDate>
		<guid isPermaLink="false">http://thyblackman.com/?p=11509#comment-6644</guid>

					<description><![CDATA[Sheppard, Keep up your excellent work!  This article is very interesting and informative!]]></description>
			<content:encoded><![CDATA[<p>Sheppard, Keep up your excellent work!  This article is very interesting and informative!</p>
]]></content:encoded>
		
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		<item>
		<title>
		By: Patsy		</title>
		<link>https://thyblackman.com/2011/07/21/rick-ross-lil-wayne-are-not-bosses/comment-page-1/#comment-6643</link>

		<dc:creator><![CDATA[Patsy]]></dc:creator>
		<pubDate>Fri, 22 Jul 2011 04:06:30 +0000</pubDate>
		<guid isPermaLink="false">http://thyblackman.com/?p=11509#comment-6643</guid>

					<description><![CDATA[To understand more how the music business really works for Black people, the Bible is the book R&#038;B Rhythm and Business:  The political economy of Black Music by Norman Kelley.  This book is available on amazon.]]></description>
			<content:encoded><![CDATA[<p>To understand more how the music business really works for Black people, the Bible is the book R&amp;B Rhythm and Business:  The political economy of Black Music by Norman Kelley.  This book is available on amazon.</p>
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